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| BORN | 1965, Melbourne, Australia Lives and works in Melbourne, Australia |
EDUCATION |
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| 1991-93 | School of Visual Arts, New York, NY, MFA Sculpture, USA |
| 1988-89 | Victorian College of the Arts, Melbourne, Australia, Graduate Diploma in Fine Arts, Sculpture. |
| 1983-85 | Royal Melbourne Institute of Technology, Melbourne, Australia, BFA Sculpture. |
SOLO EXHIBITIONS |
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| 2012 | Visceral Forms, Utopian Slumps, Melbourne |
| 2009 | Manna, part of a tri-parte exhibition "Three Degrees of Change", La Trobe University Museum of Art, Bundoora Campus, Melbourne |
| 2007 | Cornucopia, Sherman Galleries, Sydney, Australia Demeter’s Garden , Heide Museum of Modern Art, Melbourne, Australia |
| 2005-06 | Karakarook’s Garden, Museum of Modern Art at Heide, Melbourne, Australia |
| 2004 | Salt and Sand, Sherman Galleries, Sydney, Australia Tide , Artspace, Sydney, Australia |
| 2002 | Salt and Honey, Jewish Museum of Australia, Melbourne |
| 2001 | ABC123, Roslyn Oxley9 Gallery, Sydney , Australia Verdant, Herring Island Gallery, Melbourne, Australia |
| 1999 | Strata, Mc Clelland Gallery, Victoria, Australia Cupola, Queen Victoria Building, Sydney Festival, NSW, Australia |
| 1998 | Spiderbox, collaboration with Rozalind Drummond, Canberra Contemporary Art Space, Australia |
| 1997 | Epithelium, Karyn Lovegrove Gallery, Melbourne, Australia Wall Red Yellow Blue, Artspace, Sydney, Australia |
| 1996 | Onion Sac Wall, Karyn Lovegrove Gallery, Melbourne, Australia Excess, Rosyln Oxley9 Gallery, Sydney, Australia Green Room, Pendulum, Sydney, Australia |
| 1995 | Building 40 Project, RMIT Design, Melbourne, Australia |
| 1994 | Bags, Bottles, Newspapers, Karyn Lovegrove Gallery, Melbourne, Australia |
| 1993 | Installation #04, Information Gallery, New York, NY, USA |
| 1992 | Tarook /Taarak, Realities Gallery, Melbourne, Australia |
| 1990 | Recent Works, Realities Gallery, Melbourne, Australia |
| 1988 | Recent Works, Realities Gallery, Melbourne, Australia |
SELECTED GROUP EXHIBITIONS (since 1993) |
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| 2012 | Roads Cross, Flinders University Art Museum and City Gallery, Adelaide Symphonic Encounters, Linden Centre for Contemporary Arts, Melbourne |
| 2011 | Artrecycle, 2011, guest artist and judge, Incinerator Arts Complex, Melbourne Found, Glen, Eira City Council Gallery, Melbourne |
| 2010 |
Aichi Triennale 2010, Curatorial Exhibition Competition Aichi Arts Center Art Space, Nagoya, Japan In the Balance: art for a changing world, Museum of Contemporary Art, Sydney Discreet Objects, Utopian Slumps, Melbourne Aftermath: Art, Memory, History, Monash University Faculty Gallery, Melbourne |
| 2009 | Soft Sculpture, National Gallery of Australia, Canberra Global Books exhibition at the "Cité du Livre” in Aix en Provence. France Drought, Murray Darling Palimpsest #7, Art Vault, Mildura, Victoria, Australia |
| 2008 | The Ecologies Project, Monash University Museum of Art, Melbourne, Australia Neo Neo Feminisms , Neon Parc, Melbourne, Australia Bal Tashchit, Thou Shalt Not Destroy , Jewish Museum of Australia Premotions, Monash University collection 1961-2007, Mc Clelland Gallery, Victoria |
| 2007 | Global Books, Le livres de’artistes de Gervais Jassaud, Bibliotheque Carnegie Mediatheque Jean Falala, and Comedie de Reims, France Artist Makes Video: Art Rage Survey 1994–1998 , Dell Gallery, Queensland College of Art, Griffith University, Brisbane, Australia |
| 2006 | Before the Body-Matter, Monash University Museum of Art, Melbourne, Australia |
| 2005 | After Nature, Lake Macquarie City Art Gallery, NSW , Australia |
| 2004 | Melbourne Artfair, Melbourne, Australia Site/Unseen, Danks St, Sydney, Australia |
| 2003-04 | Hothouse: The Flower in Contemporary Art , Monash University Museum of Art (MUMA) Touring Exhibition, State Library of Victoria, Keith Murdoch Gallery, Melbourne; Geelong Art Gallery; Ballarat Fine Art Gallery; McClelland Gallery and Sculpture Park, Langwarrin, Victoria, Australia |
| 2003 | Mc Clelland Survey and Sculpture Award, Mc Clelland Gallery, Victoria, Australia Fair Game, Response Gallery, National Gallery of Victoria, Australia Echigo-Tsumari Art Triennial, Japan |
| 2002 | Eden and the Apple of Sodom, University of South Australia Art Museum, Adelaide, Australia |
| 2001 | The Cultivated Garden, Hazelhurst Regional Gallery, Gymea, NSW, Australia Low Down, Recent Acquisitions , Monash University Collection, Monash University, Melbourne |
| 2000 | Celebrating the Exquisite Corpse , Bendigo Art Gallery, Monash Gallery of Art, Swan Hill Regional Art Gallery, Victoria, Ararat Gallery, travelling exhibiton, Australia The Retrieved Object , Linden Gallery, Melbourne, Australia |
| 1999 | Chunky Move with Australian Centre for Contemporary Art (ACCA), presentation of Live Acts #3 & #4, Revolver, Melbourne, Australia Tensions , video works from Griffith University Art Collection, screening State Library of Queensland, Brisbane, Australia Material & Beyond , University of Southern Queensland, Toowoomba, touring Queensland regional galleries, Australia Transmaterial , Otago School of Art, Otago Polytechnic Dunedin, New Zealand |
| 1998-99 | Artrage, artworks for television, producer/curator Kim Machan, Artspace, Sydney; IMA, Brisbane, touring nationally, Australia |
| 1998-05 | Women of the Book, The Finegood Art Gallery, Calfornia, USA. Sharadin Art Gallery, Kutztown University, Pennsylvania. Kamin Gallery, Van Pelt Dietrich Library, University of Pennsylvannia, Janis Charach Epstein Museum, MI, University of Arizona Museum of Art, Arizona, Florida Atlantic University, Boca Ratonleboro Museum of Art, VT, Missouri State Univerity Springfield, MO, Minnesota Centre for Book Arts, Minneapolis, MN. Steadman Gallery, Rutgers, the State University of New, NJ, USA |
| 1998 | The Infinite Space: Women minimalism and the sculptural object, The Ian Potter Museum of Art, The University of Melbourne, Australia Respond Red or Blue , Royal Melbourne Hospital, Melbourne, Australia Resourceful , Ararat Gallery, Victoria, Australia Le Corps du Livre , L’oeuvre editoriale de Gervais Jassuad, Carre d’Art Biliotheque, Nimes, France Up the Road, Australian Centre for Contemporary Art, Melbourne, Australia Ecologies of Place and Memory, Gallery A, University Gallery Launceston, University of Tasmania, Launceston, Australia Construction in Process VI, The Bridge , Pileon Building, Melbourne, Australia Suite , Smith and Stonely on Stratton, Brisbane, Australia |
| 1997 | Amcor Paper Awards, 1997, Westpac Gallery, Melbourne, Australia Australian Perspecta 1997: Between Art and Nature, The Art Gallery of NSW, Sydney, Australia World Without End , St Patricks Cathedral, Melbourne, Australia Moët & Chandon Touring Exhibition , Queensland Art Gallery, National Gallery of Victoria, Art Gallery of Western Australia, Art Gallery of New South Wales and Art Gallery of South Australia, Australia |
| 1996 | Mrs Bird’s House, Motherwell St, South Yarra, Melbourne, Australia Secret Archive , Platform Station, Melbourne, Australia Ruins in Reverse, RMIT, Storey Hall, Melbourne, Australia |
| 1995 | The Object of Existence, Australian Centre for Contemporary Art (ACCA), Melbourne, Australia The Wandering Jew Myth and Metaphor , Jewish Museum of Australia, touring exhibition, Melbourne, Australia Seven Histories of Australia , Australian Centre for Contemporary Art (ACCA), Melbourne, Australia Constructed City , Plimsoll Gallery, University of Tasmania, touring exhibition, Hobart, Australia Monash University Art Prize, Monash University Gallery, Melbourne, Australia Blow Up, Rosyln Oxley9 Gallery, Sydney, Australia Essence and Persuasion, Anderson Gallery, Buffalo, NY, USA |
| 1994 | Erptcponise-(perceptions), Information Gallery, New York, NY, USA Projection: Filming the Body, The Basement Project, Melbourne, Australia |
| 1993 | Yoshii Gallery, New York, NY, USA Lauren Berkowitz, Stephen Bram, Debra Ostrow, Kathy Temin , Studio 14 at 200 Gertrude Street Gallery, Melbourne Australia |
| 1989-91 | I.C.I Contemporary Art Collection, City of Ballarat Fine Art Gallery, touring regional galleries, Vic, NSW, Qld, Australia |
| 1989 | Active Garden, Museum of Modern Art at Heide, Melbourne, Australia |
SELECTED BIBLIOGRAPHY (since 1989) |
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| 2012 | Fiona Salmon and Vivonne Thwaites, Roads Cross, exhibition catalogue pp 10,34 -35, Flinders University Art Museum and City Gallery, Adelaide Melanie Flynn and Watts, Symphonic Encounters, catalogue pp 3, 7, Linden, Linden Centre for Contemporary Arts, Melbourne Dan Rule, review Symphonic Encounters, Features, Art Guide, p.51-52, July/August, Australia |
| 2011 | Diane Soumilias Found, catalogue, Glen Eira City Council Gallery, Melbourne |
| 2010 |
Art Nation, ABC, www.abc.net.au/arts/stories/s3046013.htm Two thousand, interview www.twothousand.com.au/look/lauren-berkowitz-interview/ Jenny Lyon, Green, magazine, 'Inspired by waste' interview, pp. 68-73 Rachel Kent, In the Balance: Art for a Changing World, Museum of Contemporary Art, Sydney, pp.30-33 Melissa Loughnan and Helen Hughes, Discreet Objects, exhibition catalogue, Utopian Slumps, Melbourne Kathy Temin, Aftermath: Art, Memory, History, exhibition catalogue, Monash University, Melbourne |
| 2009 | Dr Alana O’Brien, 'Manna', exhibition catalogue, pp.22-35, Three Degrees of Change, La Trobe University Museum of Art, Melbourne Lucina Ward, Soft Sculpture, http://nga.gov.au/softsculpture/ National Gallery of Australia Lucina Ward, Soft Sculpture, exhibition catalogue, p.20, 21, 22, National Gallery of Australia Lucina Ward, “Don’t, touch, lick or smell, Soft Sculpture”, artonview, p.24, 25, NGA Lella Cariddi, Drought, Murray Darling Palimpsest #7, exhibition catalogue, Mildura, Victoria, |
| 2008 | Helen Hughes, “Lauren Berkowitz and Starlie Geikie”, review online Un. Magazine Issue 2.2 November, p.52, Melbourne Geraldine Barlow and Dr Kyla McFarlane, The Ecologies Project, exhibition catalogue, Monash University Museum of Art, Melbourne, Rebecca Coates, Neo–Neo Feminisms , catalogue essay, Neon Parc, Melbourne Megan Bakehouse, “Around the Galleries,” The Age, A2, July 26 th, Melbourne, Australia Ross Moore, “Sightlines Galleries, Neo- Neo Feminism”, The Age, Friday July 18 th p. 15, Melbourne, Australia Virginia Fraser, ‘Wading into Scripture: Bal Taschit”, pp10-13, Art Monthly, Australia # 210 June , Canberra, Australia Ashely Crawford and Melissa Amore, Bal Tashchit, Thou Shalt Not Destroy , exhibition catalogue, Jewish Museum of Australia Robert Nelson, “Visions of Ecological destruction”, The Age, May 28 th, p. 16, Melbourne, Kirrily Hammond and Penny Teale, Premotions, Monash University collection 1961-2007, exhibition catalogue, Mc Clelland Gallery, Victoria |
| 2007 | Judith Collins, Sculpture Today, Phaidon, pp. 414, 428, 429, London Stephan Klima, Barbara Montefalcone, Global Books, Le livres de’artistes de Gervais Jassaud, Ville de Reims, France , pp.57,102-103 Annemarie Lopez, the(sydney)magazine, Sydney Morning Herald, 26 October 2007, p.124 Jazmina Cininas, ‘Demeter’s Garden’, Eyeline, no. 64, 2007, p. 61 , Brisbane, Australia Naomi Cass, ‘Down to earth’, Cornucopia, exhibition catalogue, Sherman Galleries Zara Stanhope, ‘Art’s constant gardener’, Demeter’s Garden, exhibition catalogue, Museum of Art at Heide, Melbourne Jane O’Neil, Demeter’s Garden, exhibition catalogue, Museum of Modern Art at Heide, Melbourne Ashely Crawford , “Art around the galleries”, The Age. A2, Saturday June 23 rd p.22 Derrick Guillet with Rosemary Cameron director Melbourne Writer’s festival–774, ABC radio |
| 2006 | Geraldine Barlow and Dr Kyla Mc Farlane, Before the Body-Matter, exhibition catalogue, Monash University Museum of Art, Melbourne, 2006 Laura Murray Cree (ed) Twenty, Sherman Galleries 1986-2006, Craftsman House, Australia Adam Geczy, “Collecting, Coating, Covering: Lauren Berkowitz,” Tide cat. Artspace, Nick Tsoutas, introduction, Lauren Berkowitz, Tide, Artspace, Sydney, 2006 |
| 2005 | Margaret Marsh, Michelle Watts, Graig Malyon, ‘The documented (land) form.’ pp.146-7, A.R.T.2 Practice, Oxford University Press. Sally Cauacaud, After Nature, cat. Lake Macquarie City Art Gallery, NSW Richard Kalina, ‘Down Under No More’, Art in America, April 2005, pp. 77–85 |
| 2004 | Sally Couacaud, '2003 Echigo-Tsumari Triennial', Art & Australia, vol. 41, no. 4, winter 2004, pp. 535–7 Echigo-Tsumari Art Triennal 2003, exhibition catalogue, 2004, illus., p.167 Patricia Anderson, 'The better angles of our nature', Arts, Australian, 22 April, p.12 Rachel Kent, “Lauren Berkowitz: Environment into Art,” Salt and Sand, catalogue essay, Sherman Galleries, Laura Murray Cree, ‘Lauren Berkowitz and James Darling’, Australian Art Review, issue 4, March – June 2004, pp. 104–106 Tazlu Endo, Ikebana Ohara, March, No.640, p.10, Japan |
| 2003 | Robert Lindsay, McClelland Survey catalogue, p.6,8,15, Victoria, Australia Freda Freiberg, ‘On the scented trail of tradition’, Eyeline, no. 51, 2003, p. 50 Zara Stanhope, “Everlasting”, p.4,9, Hothouse catalogue, Melbourne, Australia |
| 2002 | Daniel Thomas, “Terra,” p.66, 69, Fieldwork catalogue, National Gallery of Victoria Rachel Kent, Monash University Collection: Four Decades of Collecting, Monash University Museum of Modern Art, Melbourne, 2002, p.110 Laura Murray Cree, Awesome, Australian Art for Contemporary Kids, p.p. 18-19, Craftsman House, Sydney, Australia Robert Nelson, “The divinity of the dining room food of the gods and other oral traditions,” The Age, August 31st, p.25, Melbourne, Australia Matt Preston, “Faith in Food”, The Age, Epicure, August 13th, p10, Melbourne, Australia Naomi Cass, ‘L’chaim: Lauren Berkowitz at the Jewish Museum’, Salt and Honey, catalogue Jewish Museum of Australia, Melbourne, Julie Copeland, ‘The Maker’, interview on Salt and Honey, ABC Radio National, 8 September 2002, 10.00 am Rachel Kent, “Art and Environment: Lauren Berkowitz’s “Colour Field”, catalogue essay, Eden and the Apple of Sodom, University of South Australia Art Museum Jim Moss, “Sotweed and other factors”, Broadsheet, p.21, Vol 31, no 2, Adelaide, Australia John Neylon, “Wicked”, The Adelaide Review, April, p.25, Adelaide, Australia |
| 2001 | Charles Merewether, Lauren Berkowitz, Anxieties of Revelation, Monograph Craftsman House Jennifer Hardy, The Cultivated Garden, Hazelhurst Regional Gallery, Gymea, NSW Christopher Marshall, Interpreting Art, Macmillian, pp. 236, 237, 244. 245, 270 Juliana Engberg, Low Down, catalogue, Monash University Museum of Art, Melbourne, Australia Natalie King, Verdant, catalogue essay, Melbourne, Australia Judith. A. Hoffberg, Women of the Book, p.23, Florida Atlantic University, USA |
| 2000 | Natalie King, “Ephemeral Geometries”, Art & Australia, Vol 37, No 4,pp.566-571 The Retrieved Object, catalogue, Linden Arts Centre and Gallery, Melbourne, Aust Jacqueline Millner, Uncertain Ground, essays between art and nature, illust and review. p168, Art Gallery of New South Wales, 1999, Sydney, Australia The Bridge, Construction in Process VI , Craftsman House, p.39, Australia Rachel Kent, Monument 34, review of Strata, Feb/March 2000, p.105 |
| 1999 | Simeon Kronenberg, Strata: between geometry and gesture, catalogue, Mc Clelland Gallery Daniel Palmer, “The Melbourne Festival Visual Arts Program”, Eyeline, 39, pp 35-37 Natalie King , Psychology of Retrieval:personal & fictional archives, Artlink p.49-51, Vol. 19, No. 1 Bruce James ‘Man of steel vs the gumnut baby’, Spectrum, Sydney Morning Herald, Saturday 23 January 1999, p.13 |
| 1998 | Anna Clabburn, “When Less is much more”, The Age, Wednesday 9th December, p.17 Marie-Louise Hillcoat, “The Hospital Autopsy: Opening up the Aesthetics of the Medical Gaze”, Respond Red or Blue catalogue, Melbourne, Australia Rachel Kent, The Infinite Space: Women minimalism and the sculptural object The Ian Potter Museum of Art, The University of Melbourne, catalogue, Melbourne, Australia Anna Clabburn, Resourceful, catalogue, Ararat Gallery, Victoria Anna Clabburn, “Resourceful by Necessity”, The Australian Family, Images and Essays, Scribe Publications, Melbourne, Australia Gareth Sansom, Up the Road, exh. cat. Australian Centre for Contemporary Art, Melbourne Rebecca Lancashire, " Up the track and up the road”,The Age, Wed 15th July, p.18, Melbourne Anna Johnson, “Trash Treasure and Hoarding”, Australian Art Collector, pp 70-72, no. 5, July-Sept Natalie King, Interview, Spiderbox, exhibition catalogue Canberra Contemporary Art Space, ACT Bridget Sullivan, Ecologies of Place and Memory, Gallery A, University Gallery Launceston, University of Tasmania, Launceston, Australia Paul Mc Gillick, “Packaging the Theme”, Art and Australia, Vol .35, No 3, pp.334-335 Adrian Martin, “Immaculate Conceptions”, Australian Art Collector, Issue 3, p.32 Adam Geczy, “Australian Perpecta 1997: Between Art and Nature”, Eyeline, p.40. Qld |
| 1997 | Elizabeth Cross, “Drawing on the Ground”: The Space of Paper, Amcor Paper Awards ,p.10 Gillian Fuller,” Wall Red Yellow Blue”, Globe-E, Electronic Journal of Contemporary Australian Art, Issue 6., http://www.artdes.monash.edu.au/globe/issue6/lbtitle.html Victoria Lynn, “Web Sites”, in Australian Perspecta 1997, Between Art and Nature , Art Gallery of New South Wales, catalogue, Sydney, Australia Esther Pierini, “Awe inspiring”, Broadsheet ,p.22, Vol 26 No 3, South Australia Ross Moore, Wall Red Yellow Blue: The Narrative of Minimalism, Artspace, Sydney Robert Schubert, 1997 Moet & Chandon touring Exhibition, Art/Text , No 58, p.87, Sydney Rosemary Crumblin, World Without End, St Patricks Catherdral, Melbourne, Australia Robert Nelson, “An Installation of Authority”, The Age, Wednesday, Melbourne Anna Johnson, “Arts new Wave”, Good Weekend, The Age, April 26th, p.32-33 Ray Edgar, ‘Mrs Bird’s House’, exh. review, p.92, World Art, No 12, Melbourne, Australia Anna Clabburn, Moet & Chandon Art Prize, catalog, Melbourne pp, 21, 25 |
| 1996 | Bruce James, “Galleries”, The Sydney Morning Herald, August 2nd, Arts, p.14, Sydney Natalie King, “The Building 40 Project”, exh. review, Vol 33, No 4, winter, p.575, Art in Australia Robert Nelson, “No Logic, No Feeling”, The Age, Saturday 18th May, Saturday Extra p 10 Steven Fenely, “Brave New Space”, Review, ABC Television, Channel 2, May 13th, Melbourne Jo Holder, “Seven Histories”, exh. review, Vol 33, No 3, pp 431-42, Art in Australia, Sydney Ross Moore, “A Visceral Architecture”, Monument, Vol 11, pp 94-98, Sydney Susan Fereday, “Ruins in Reverse”, exhibition catalogue, RMIT Faculty Gallery, Melbourne Peter Hill, “Welcome to our Nightmare”, The Bulletin, Feb 13th, Australia Robert Nelson, “Wandering through a Social Metaphor”, The Age, Jan 3 rd, Melbourne |
| 1995 | Clare Williamson, The Object of Existence, catalogue essay, ACCA, Melbourne, Australia Naomi Cass, ‘Home is where the Heart Is’, The Wandering Jew Myth and Metaphor catalogue essay.pp.22, The Jewish Museum of Australia. Jill Bennett, “Blow Up”, Art / Text, exh. review, & illust .No 52, p.84, Sydney Clare Williamson, Seven Histories of Australia, (catalogue), ACCA, Melbourne, Aust. Simeon Kronenberg, Natalie King, Constructed City, (catalogue) Plimsoll Gallery,Uni. of Tasmania Anna Clabburn, “Contemporary Voices”, Asian Art News, May/June Vol 5, Hong Kong. Natalie King, Blow Up, (catalogue) Rosyln Oxley9 Gallery, Sydney, Australia. Anne Wayson and Melissa Banta, Essence and Persuasion, (catalogue), Buffalo , NY, USA |
| 1994 | Natalie King, Bag Lady, exhibition catalogue, Karyn Lovegrove Gallery, Melbourne Alan & Susan Mc Culloch, The Encyclopedia of Australian Art, Allen & Unwin, Sydney Melanie Marino, Erptcponise - (perceptions), (catalogue), New York, NY. |
| 1993 | Natalie King, Lauren Berkowitz, Stephen Bram, Debra Ostrow, Kathy Temin, (catalogue) Melbourne |
GRANTS, AWARDS AND SCHOLARSHIP |
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| 2011 | New Work, Visual Arts & Crafts Board of the Australia Council, Sydney, Australia |
| 2008 | New Work, Visual Arts & Crafts Board of the Australia Council, Sydney, Australia |
| 2006 | New Work, Visual Arts & Crafts Board of the Australia Council, Sydney, Australia |
| 2004 | New Work, Creation, Arts Victoria Project Grant, Melbourne, Australia |
| 2002 | Arts Victoria, International Cultural Exchange Grant, Melbourne, Australia New Work, Presentation Arts Victoria Project Grant, Melbourne, Australia |
| 2001 | Project Grant, Visual Arts & Crafts Board of the Australia Council, Sydney Arts Victoria Project Grant, Melbourne |
| 1998 | Besen Foundation Grant, Melbourne |
| 1996-97 | Project Grant, Visual Arts/ Craft Board of Australia Council, Sydney |
| 1992-93 | Dyason Bequest Traveling Scholarship, Art Gallery of NSW, Sydney |
| 1991-92 | Marten Bequest Traveling Scholarship, Sydney, Australia. |
| Dyason Bequest Traveling Scholarship, Art Gallery of NSW, Sydney | |
| 1990 | Project Grant, Visual Arts & Crafts Board of the Australia Council, Sydney |
ARTIST’S PUBLICATIONS AND LIMITED EDITION BOOKS |
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| 2007 | Graceful, collaboration with poet Fabrice Melquiot, (edition 11), Gervais Jassaud, Collectif Generation, France |
| 1996 | Mona Lisa, (edition 20) collaboration poet John Yau, published by Geruais Jassaud, France |
| 1995 | Collected Histories (edition 500) published by the City of Stonnington, Melbourne, Australia |
| 1994 | Bags, Bottles, Newspapers (edition 300) published by Lauren Berkowitz, Melbourne, Australia Terza Natura (edition 10) published by Lauren Berkowitz, New York, USA |
1993 |
Recyclable (edition 10) published by Lauren Berkowitz, New York, USA |
COLLECTIONS |
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| Arthur and Mata Jaffe Collection, Florida Atlantic University, FL Albright-Knox Art Gallery Library, Buffalo, NY Artists’ Book Collection of the Museum of Modern Art Library, NY, NY Brooklyn Museum of Art Library, New York, NY Fogg Art Museum, Fine Art Library, Harvard University, US Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, Miami, FL School of the Art Institute of Chicago, John M. Flaxman Library, Chicago, IL Texas Women’s University, Department of Visual Arts, Texas University of California Los Angeles Art Library, CA Yale Center for British Art, New Haven, CT National Gallery of Victoria, Melbourne Jewish Museum of Australia, Melbourne Museum of Modern Art at Heide, Melbourne Bendigo Art Gallery, Victoria, Australia Griffith University Art Collection, QLD, Australia La Trobe University Collection, Melbourne Monash University Museum of Art, Melbourne Amcor Paper, Victoria, Australia |
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VIDEOS |
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2000
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Idyll, produced and directed by Lauren Berkowitz and Lisa Andrew |
1998
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Rustbelt, produced and directed by Lauren Berkowitz and Lisa Andrew Endoscope, produced and directed by Lauren Berkowitz and Tara Gilbee The Sleep of Reason Produces Monsters, produced and directed by Lauren Berkowitz Yarn, Lauren Berkowitz, produced and directed by Lauren Berkowitz |
1993
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Sightseeing Tours, produced and directed by Lauren Berkowitz and Lisa Andrew |
NB – A more extensive CV is available from the artist |
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